Abstract

This talk explores the relationship between the rise to fame of Minneapolis-based artist Prince in the early-to-mid 1980s and Minneapolis’ central role in shaping the anti-pornography feminist debates during the same period. In essence, this talk traces the resonances between Prince’s “porn rock” and the anti-pornography debates known as the “porn wars.” The central question organizing this talk is: What can Prince tell us about the porn wars and what can the porn wars teach us about Prince? I argue that we cannot understand Prince’s 1980s music without considering the porn wars in Minneapolis, and that histories of the porn wars are inadequate if they do not include analyses of Prince. Specifically, I show how Prince reoriented conventional understandings of the porn wars that framed them through white feminism, and instead drew on and centered Black feminist aesthetics of sexuality.