Abstract

In 1899, at the Woods Hole Marine Biological Station in Massachusetts, Jacques Loeb performed a series of experiments that led to a sea-urchin egg beginning to develop without fertilisation by sperm. While not the first ‘artificial parthenogenesis’ experiments of its kind, this work made waves in both scientific and lay press in America, and in the following years Loeb became a scientific celebrity. Yet, in Britain it was Loeb’s less documented work on the ionic phenomena of nerve action and delay of death that drew more attention, and the experiments on artificial parthenogenesis were incorporated into popular accounts afterwards.

In this talk, I will trace the transfers of knowledge about an experiment across the Atlantic between two close linguistic cultures, and focus on alternative routes of science communication. By examining representations and appropriations of Loeb’s work in the narratives surrounding novel uses of electricity, patent medicines and devices, early feminist utopias, and the boundaries between living and non-living matter, I will explore how scientific reputations were transplanted in the beginning of the twentieth century.