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SUMMARY:Eisenstein's Ivan: Sensory Thinking from Machiavelli to Disney - P
 rofessor Joan Neuberger\, Austin\, Texas
DTSTART:20150303T170000Z
DTEND:20150303T183000Z
UID:TALK57253@talks.cam.ac.uk
CONTACT:21355
DESCRIPTION:In Ivan the Terrible\, Eisenstein tried to use everything he'd
  been thinking about and living through for the previous twenty years to c
 ompose his portrait of the tsar. This paper draws on his writing about Dis
 ney to show how some of his most fanciful ideas about things like fish tur
 ning into tigers were inscribed in his most serious considerations of huma
 n change\, violence\, power and film making itself.\n\nAbout the Author: J
 oan Neuberger is Professor of History at The University of Texas at Austin
 . She is the author of an eclectic range of publications\, including Hooli
 ganism: Crime and Culture in St Petersburg\, 1900-1914 (University of Cali
 fornia: 1993)\, Ivan the Terrible: The Film Companion (Palgrave/MacMillan:
  2003)\; and as co-editor\, Imitations of Life: Melodrama in Russia (Duke:
  2001) and Picturing Russia: Explorations in Visual Culture (Yale: 2008). 
 She  has published numerous articles on Eisenstein’s Ivan the Terrible\,
  and promises to soon finish This Thing of Darkness: Eisenstein’s Ivan t
 he Terrible in Stalin’s Russia.
LOCATION:Latimer Room\, Clare College
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