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Lydia Goehr, Columbia University.
Wednesday 18 January 2017, 17:00-18:30
Recital Room, Faculty of Music
Contact: No managers listed
0 upcoming talks View 15 archived talks
Music Faculty
Colloquium: Lydia Goehr
Faculty of Music Colloquia
Le roi caché : incognito and false identity in Baroque opera
Faculty of Music Colloquia
'Capturing sounds, designing notation, writing music'
Faculty of Music Colloquia
‘“It goes like this”: agency and the rhetoric of classical music performance’
Faculty of Music Colloquia
The Politics and Aesthetics of Choral Singing in Alentejo, Portugal
Faculty of Music Colloquia
‘Un pezzo … di una grandissima serietà e con una grandissima emozione … e con elementi totalmente bruti’: aesthetic and socio-political considerations and the failure of their integration in Mauricio Kagel’s work post-1968
Faculty of Music Colloquia
From the “Jet Set” to intrigue: bossa nova and the 1960s international spy thriller
Faculty of Music Colloquia
The Anatomy and Physiognomy of Early Modern Vocal Identity
Faculty of Music Colloquia
To the Ear a Great Compassion: Listening, Counting and Number
Faculty of Music Colloquia
"The demoniac tune of the zarabanda”: erotic dance-songs in Early Modern Spain
Faculty of Music Colloquia
Navigating the music industry: explorations in creativity, technology and law
Faculty of Music Colloquia
Beyond socialist realism: political aesthetics in the German Democratic Republic
Faculty of Music Colloquia
Intermediality and “synmediality” in video art: Robert Cahen and Pierre Boulez
Faculty of Music Colloquia
Sounding marginality and social disorder: the battle for Madrid’s soundscape, 1850-1930
Faculty of Music Colloquia
The head v. the hands: the teaching of counterpoint and of thorough bass in early 18th-century Naples
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