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Dr Sarah Knight, MRC Institute of Hearing Research, University of Nottingham.
Tuesday 14 June 2016, 17:00-18:30
Lecture Room 1, Faculty of Music, 11 West Road, CB3 9DP
Contact: No managers listed
0 upcoming talks View 22 archived talks
The Centre for Music and Science (CMS)
Understanding conflicting results in the speech perception literature: methodologies, problems and findings regarding cognitive contributions
The Centre for Music and Science (CMS)
Meaningful Music, Unmediated Sound: An Evolutionary History
The Centre for Music and Science (CMS)
Some Reflections on the Evolution and Differentiation of Human Utterance
The Centre for Music and Science (CMS)
The Quest to Tune the Guitar Bridge, 1831-1956
The Centre for Music and Science (CMS)
What can the biological study of music show us?
The Centre for Music and Science (CMS)
Music therapy, depression and frontal brain activity
The Centre for Music and Science (CMS)
How we become musically sophisticated: A gap in the literature and a new research perspective
The Centre for Music and Science (CMS)
Understanding generative learning in the individual brain
The Centre for Music and Science (CMS)
Investigating rhythmic expectation using sound lateralization and auditory averaging tasks
The Centre for Music and Science (CMS)
Recognition of intent in infant-directed singing? Another look at music and universality
The Centre for Music and Science (CMS)
How Infants Learn Language Using Speech Rhythm and Neuronal Oscillations
The Centre for Music and Science (CMS)
Psychological effects of interpersonal entrainment
The Centre for Music and Science (CMS)
Bilinguals' experience of emotional meaning in music and language
The Centre for Music and Science (CMS)
Improvisation as a way of knowing
The Centre for Music and Science (CMS)
Unattended music, cognition, and the experimental paradigm: the 'background-ness' of background music
The Centre for Music and Science (CMS)
Time to decide: the process of evaluating a musical performance
⚠️ The seminar will be followed by a wine reception.
The Centre for Music and Science (CMS)
The Romantic Rollercoaster: exploring expectations evoked on hearing a piece of music for the first time using evidence from a prodigious musical savant
The Centre for Music and Science (CMS)
Manipulating Structure through Digital Notation
The Centre for Music and Science (CMS)
Gliding through history
The Centre for Music and Science (CMS)
An introduction to Pulse-relational Rhythm Theory
The Centre for Music and Science (CMS)
Cognitive research and South Asian music
The Centre for Music and Science (CMS)
An IDyOM Tutorial: Modelling Auditory Expectations
Please see above for contact details for this list.